Major sights in Santa Croce - Dorsoduro area, Venice

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Venice Homepage » Santa Croce - Dorsoduro area » What to see

Ca' Rezzonico
In this area, standing on the river Canal Grande, find the important the 18th century Venice Museum
Cà Rezzonico
, re-opened on 2001, after very long repairs of the building, but now the results are superlative: the frescoes, the rooms and the Grand Staircases are come back to the 18th splendour. The sumptuous palace, which took its name and lustre from the Rezzonico family was built in 1649 by Baldassarre Longhena and completed in 1750 by Giorgio Massari. Ca' Rezzonico hosts many tapestries, lacquer work and armchairs typical of the 18th century and many works by Canaletto and Giambattista Tiepolo.

San Barnaba
Very close to the museum, the visitor can pass through the Campo San Barnaba, an attractive square where a huge bell-tower belonging to the church of San Barnaba overlooks the canal of Rio di San Barnaba. The Church of San Barnaba has been deconsecrated and contains various paintings by important artists such as Palma il Giovane and Paolo Veronese. The church is remarkable for the ceiling by Tiepolo and for a ‘Holy Family’ painted by Veronese.
Another important attraction of the area is Church of Santa Maria dei Carmini, also known as Santa Maria del Carmelo. It was built in the 14th century but it passed under many alterations year by year. The interior is dark, but richly decored. Important is the work ‘San Nicola di Bari with Santa Lucia and San Giovanni Battista’ by Lorenzo Lotto (about 1509).

Santa Maria dei Carmini
Next to the Church lies the Scuola Grande dei Carmini, which keeps on the ceiling of the first floor room a masterpiece by Tiepolo: La Vergine in Gloria. The painting ‘la Madonna del Carmelo consegna lo scapolare al Beato Simone” raised the popularity of this confraternity until the final appreciation by Serenissima Government that gave the appellate "Grande" to it in the 1767.The Napoleonic edict closed it in the 1806 when it still was rich and popular: many of the most important works were robbed but large ones fortunately remained here to be appreciated by public.
Ponte dei Pugni is one of the most know bridges of the town: you can see white footprints on the bridge: once, this prints on the bridge signed the starting point for traditional fights which used to take place between rival factions of Venice. These battles became so violent that, in 1705, were banned.

Scuola Grande dei Carmini
Another relevant sight is The Church of San Sebastiano, one of the Renaissance jewels dating back to the 1550s. Built along ago and reconstructed by the Rialto architect, Antonio Abbondi (called the Scarpagnino) in the 16th century, the church deserves a visit for the paintings and frescoes by Paolo Veronese that completely cover it.
Few minutes from the Church S. Sebastiano, you will find Chiesa di San Nicolò dei Mendicoli, one of the most charming church of Venice. "Mendicoli" means beggars, by which takes name, living by an humble and poor population of fishermen and craftsmen, the Nicolotti, one of the two faction whose Venice was divided until ancient time. The church was rebuilt and modified many times. Nearby the church, there is the stately square bell tower, built in Venetian - Byzantine style (end of XII century).Although the later changes, inside the church the structure of a basilica appears clearly.

Ponte dei Pugni
Walking in S. Croce area, you will see two other ancient churches: the Church of San Pantalon and the Church of San Nicolò da Tolentino. The Church of San Pantalon is a particularly lavish 17th-century church with a beautiful canvas ceiling painted by Fumiani; it was, however, for the preceding 12th- and 13th-century building that this altarpiece was painted. Thought to be Paolo Veronese's last work and to date from 1587, the painting depicts an instance of divine healing.
The Church of San Nicolò da Tolentino was instead built by the reformist monks of the Theatine Order, founded in Rome in 1524 . Built in the 17th century, the large central cloister has survived successive restorations and maintained its elegant classical lines.

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